Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 62
Página vii
... American Musicology Arved Ashby Chapter 3 Productive Orientalisms: Imagining Noise and 45 Silence Across the Pacific, 1957-1967 Barry Shank Part II: A Transnational Caribbean Chapter 4 The Miamization of Latin-American Pop Music 65 ...
... American Musicology Arved Ashby Chapter 3 Productive Orientalisms: Imagining Noise and 45 Silence Across the Pacific, 1957-1967 Barry Shank Part II: A Transnational Caribbean Chapter 4 The Miamization of Latin-American Pop Music 65 ...
Página x
... South America, including two essays on Brazil, one the most important producers of “world music” in today's globalized scenano. The seed for this book was planted on a graduate seminar on semiotic theory at The Ohio State University ...
... South America, including two essays on Brazil, one the most important producers of “world music” in today's globalized scenano. The seed for this book was planted on a graduate seminar on semiotic theory at The Ohio State University ...
Página 12
... American) music began to explore “world” sources of inspiration, from the mere use of non-Western sounds and ... (Latin music for instance), had long been incorporated into Western popular music.32 The Beatles themselves made occasional use of ...
... American) music began to explore “world” sources of inspiration, from the mere use of non-Western sounds and ... (Latin music for instance), had long been incorporated into Western popular music.32 The Beatles themselves made occasional use of ...
Página 16
... Latin America or Kazadi wa Mukuna regarding Afiican music. Mukuna goes as ... American hip hop (see Christopher Dennis's chapter in this volume). However ... Latin segment of world music continues to show a robust sales growth), which is ...
... Latin America or Kazadi wa Mukuna regarding Afiican music. Mukuna goes as ... American hip hop (see Christopher Dennis's chapter in this volume). However ... Latin segment of world music continues to show a robust sales growth), which is ...
Página 19
... Hispanic American Historical Review 84, no. 3 (2004): 443-445. 6. This is not to say that in order to practice transnational history one needs to “choose” the “right” culture for one's demonstration. History is transnational, Seigel's ...
... Hispanic American Historical Review 84, no. 3 (2004): 443-445. 6. This is not to say that in order to practice transnational history one needs to “choose” the “right” culture for one's demonstration. History is transnational, Seigel's ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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