Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
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Resultados 1-5 de 37
Página 13
... albums that allowed the development of unified themes through extended play, which made the use of classical structures ... album covers and inconcert visuals.38 The single characteristic that we highlight in connection to our subject is ...
... albums that allowed the development of unified themes through extended play, which made the use of classical structures ... album covers and inconcert visuals.38 The single characteristic that we highlight in connection to our subject is ...
Página 14
... album, 'Music from the Morning of the World,' which became one of the touchstones of the world-music movement. Soon the label's Explorers series—records covering traditional music from around the globe— was under way?” The combined ...
... album, 'Music from the Morning of the World,' which became one of the touchstones of the world-music movement. Soon the label's Explorers series—records covering traditional music from around the globe— was under way?” The combined ...
Página 15
... album released in 1986 was the most prominent example of a former pop star's involvement with world music, reinvigorating his career and generatin all sorts of contradictory cements and reviews for his top-selling album.4 By the late ...
... album released in 1986 was the most prominent example of a former pop star's involvement with world music, reinvigorating his career and generatin all sorts of contradictory cements and reviews for his top-selling album.4 By the late ...
Página 17
... is becoming a sort of “urban world music”— precisely the title used by (multiethnic) jazz group Hiroshima for its 1996 album Urban World Music.56 Some labels, like Putumayo, have already crafted The Postnational T um 17.
... is becoming a sort of “urban world music”— precisely the title used by (multiethnic) jazz group Hiroshima for its 1996 album Urban World Music.56 Some labels, like Putumayo, have already crafted The Postnational T um 17.
Página 20
... album in 1971), Fela Anikulapo Kuti and King Sunny Ade were also among the first afro-pop musicians with a major profile in the country. They seemingly rode in on the reggae cultural wave and the popularity achieved by Bob Marley in ...
... album in 1971), Fela Anikulapo Kuti and King Sunny Ade were also among the first afro-pop musicians with a major profile in the country. They seemingly rode in on the reggae cultural wave and the popularity achieved by Bob Marley in ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York