Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 54
Página 5
... artist, and listener are no longer part of the same cultural context, social meaning, performative aspects, and aesthetic values are no longer to be implicitly understood or presumed. An inter or multidisciplinary approach would only ...
... artist, and listener are no longer part of the same cultural context, social meaning, performative aspects, and aesthetic values are no longer to be implicitly understood or presumed. An inter or multidisciplinary approach would only ...
Página 12
... and a mediator of social sensibilities, creating a field that intersected diverse intellectual and artistic pursues, precisely at the same time that rock “was emerging as a kind of 12 Ignacio Corona and Alejandro L. Madrid.
... and a mediator of social sensibilities, creating a field that intersected diverse intellectual and artistic pursues, precisely at the same time that rock “was emerging as a kind of 12 Ignacio Corona and Alejandro L. Madrid.
Página 18
... artists who pioneered the trend. While the nightclubs and trendy lounges of London, Paris and Tokyo were throbbing to fusions of modem prograrrnned beats with retro bossa nova and samba, Brazilians had left behind the music of the i960s ...
... artists who pioneered the trend. While the nightclubs and trendy lounges of London, Paris and Tokyo were throbbing to fusions of modem prograrrnned beats with retro bossa nova and samba, Brazilians had left behind the music of the i960s ...
Página 21
... artists are now reaching Western audiences as seldom before, which may help in increasing toleration and interest in the artists' countries of origin and social conditions. Several artists have learned how to cope with the industry and ...
... artists are now reaching Western audiences as seldom before, which may help in increasing toleration and interest in the artists' countries of origin and social conditions. Several artists have learned how to cope with the industry and ...
Página 26
... artist, or work can be regarded and examined independently of accompanying ideas of beauty. It is incumbent upon the historian to distance himself from current views on beauty and to research and get to know style independently of these ...
... artist, or work can be regarded and examined independently of accompanying ideas of beauty. It is incumbent upon the historian to distance himself from current views on beauty and to research and get to know style independently of these ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York