Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 55
Página vii
... Vanessa Knights Part III: Across the U.S.-Mexico Border Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tee Music 99 Ignacio Corona and Alejandro L. Madrid Chapter 7 Chapter 8 Chapter 9 Quest for the Local: vii Contents.
... Vanessa Knights Part III: Across the U.S.-Mexico Border Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tee Music 99 Ignacio Corona and Alejandro L. Madrid Chapter 7 Chapter 8 Chapter 9 Quest for the Local: vii Contents.
Página ix
... borders) and the traditionally monovalent notion of identity to which it has been historically incorporated. As such ... border studies in the past two decades introduced alternative (non-unitarian) conceptualizations of identity, and ...
... borders) and the traditionally monovalent notion of identity to which it has been historically incorporated. As such ... border studies in the past two decades introduced alternative (non-unitarian) conceptualizations of identity, and ...
Página x
... border region. These trends have in fact transformed regional genres, such as the traditional Sinaloan banda music—— which in Guadalajara's musical hotbed of the 1990s became techno-banda—or cumbia that across the border region ...
... border region. These trends have in fact transformed regional genres, such as the traditional Sinaloan banda music—— which in Guadalajara's musical hotbed of the 1990s became techno-banda—or cumbia that across the border region ...
Página 3
... borders of the nation-State via a wide range of technologies. These people group together in a variety of “imagined communities” that might be greater or smaller than the nation-State, but transcend it as a unit of identification. Thus ...
... borders of the nation-State via a wide range of technologies. These people group together in a variety of “imagined communities” that might be greater or smaller than the nation-State, but transcend it as a unit of identification. Thus ...
Página 4
... border), the near collapse of the legal system and the state's networks of social protection, economic dependency, and political subordination are all signs of the crisis of the natiOn-State. Common to both experiences of this crisis is ...
... border), the near collapse of the legal system and the state's networks of social protection, economic dependency, and political subordination are all signs of the crisis of the natiOn-State. Common to both experiences of this crisis is ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York