Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
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Resultados 1-5 de 34
Página 3
... contemporary culture recognize the need to approach their objects of study from a postnational perspective, a point of view beyond the nation-State as the frame of reference. Such an angle would allow us to recognize cultural formations ...
... contemporary culture recognize the need to approach their objects of study from a postnational perspective, a point of view beyond the nation-State as the frame of reference. Such an angle would allow us to recognize cultural formations ...
Página 6
... contemporary goals, methods, analytical and theoretical perspectives, and overall definition of that discipline at the beginning of the twenty-first century? If. as we have suggested above, a postnationalist approach in dialogue with a ...
... contemporary goals, methods, analytical and theoretical perspectives, and overall definition of that discipline at the beginning of the twenty-first century? If. as we have suggested above, a postnationalist approach in dialogue with a ...
Página 7
... contemporary globalization. Adopting such an epistemological framework also gives us the opportunity to question music history as a univocal and teleological process. Such a process implies the revision of music history on several ...
... contemporary globalization. Adopting such an epistemological framework also gives us the opportunity to question music history as a univocal and teleological process. Such a process implies the revision of music history on several ...
Página 8
... contemporary music scholarship. This challenge forces us to question many of the principles we took for granted in relation to music and nationality. Recognizing that our routes determine how we define our roots will clarify the role of ...
... contemporary music scholarship. This challenge forces us to question many of the principles we took for granted in relation to music and nationality. Recognizing that our routes determine how we define our roots will clarify the role of ...
Página 11
... contemporary,” “modern,” “pop,” or simply genre-based classifications (i.e., “rock,” “jazz”) mostly designate Anglo-American musical production, which serves as the main referent. When the category of “roc ,” “jazz,” or “pop” is applied ...
... contemporary,” “modern,” “pop,” or simply genre-based classifications (i.e., “rock,” “jazz”) mostly designate Anglo-American musical production, which serves as the main referent. When the category of “roc ,” “jazz,” or “pop” is applied ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York