Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 35
Página 6
... definition of that discipline at the beginning of the twenty-first century? If. as we have suggested above, a postnationalist approach in dialogue with a postcolonial approach would acknowledge the injustices, the omissions, the ...
... definition of that discipline at the beginning of the twenty-first century? If. as we have suggested above, a postnationalist approach in dialogue with a postcolonial approach would acknowledge the injustices, the omissions, the ...
Página 8
... define its citizens and institutions appear as important challenges to contemporary music scholarship. This challenge forces us to question many of the principles we took for granted in relation to music and nationality. Recognizing ...
... define its citizens and institutions appear as important challenges to contemporary music scholarship. This challenge forces us to question many of the principles we took for granted in relation to music and nationality. Recognizing ...
Página 10
... a certain extent complementary to the rules that control and define the American music market. In Spanish-speaking countries, for instance, the traditional category of “music-a internacional” is 10 Ignacio Corona and Alejandro L. Madrid.
... a certain extent complementary to the rules that control and define the American music market. In Spanish-speaking countries, for instance, the traditional category of “music-a internacional” is 10 Ignacio Corona and Alejandro L. Madrid.
Página 16
... defined through collaborative efforts of musicians from around the world.”49 What seemingly unites a diversity of musics under the rubric of “world music” is, for others, a “sense of commodified otherness, blurred boundaries between ...
... defined through collaborative efforts of musicians from around the world.”49 What seemingly unites a diversity of musics under the rubric of “world music” is, for others, a “sense of commodified otherness, blurred boundaries between ...
Página 24
... define canons—and of course the hierarchy of states implicit in those canons. As Matthew Arnold wrote, “culture suggests the idea of the State. We find no basis for a firm state-power in our ordinary selves; culture suggests one to us ...
... define canons—and of course the hierarchy of states implicit in those canons. As Matthew Arnold wrote, “culture suggests the idea of the State. We find no basis for a firm state-power in our ordinary selves; culture suggests one to us ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York