Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 21
Página 5
... ethnomusicology.” We believe that the aforementioned multidisciplinarity cannot be articulated solely from one discipline; musicologists borrowing from sociology, anthropology or cultural studies in order to have a multidisciplinary ...
... ethnomusicology.” We believe that the aforementioned multidisciplinarity cannot be articulated solely from one discipline; musicologists borrowing from sociology, anthropology or cultural studies in order to have a multidisciplinary ...
Página 13
... ethnomusicology recording series in England, France, and the US. precisely around the same period. Aspiring to capture “authentic” traditional music fiom around the globe, the link with ethnomusicologists or anthropologists was key in ...
... ethnomusicology recording series in England, France, and the US. precisely around the same period. Aspiring to capture “authentic” traditional music fiom around the globe, the link with ethnomusicologists or anthropologists was key in ...
Página 16
... ethnomusicologist Ana Maria Ochoa concerning Latin America or Kazadi wa Mukuna regarding Afiican music. Mukuna goes as far as predicting that “'World music' will be a genre of musical expression for which the characteristics are being ...
... ethnomusicologist Ana Maria Ochoa concerning Latin America or Kazadi wa Mukuna regarding Afiican music. Mukuna goes as far as predicting that “'World music' will be a genre of musical expression for which the characteristics are being ...
Página 28
... ethnomusicologists and their wider contextualization. But “the French poststructuralists” were a relatively small part of this development. Gary Tomlinson provided one of few important examples with his adaptation of Foucauldian ideas ...
... ethnomusicologists and their wider contextualization. But “the French poststructuralists” were a relatively small part of this development. Gary Tomlinson provided one of few important examples with his adaptation of Foucauldian ideas ...
Página 29
... ethnomusicology. A major task in both ethnomusicology and American-music studies is to answer this question: according to what terms is this piece or this genre comprehensible or meaningful?25 Crawford's impression of European music ...
... ethnomusicology. A major task in both ethnomusicology and American-music studies is to answer this question: according to what terms is this piece or this genre comprehensible or meaningful?25 Crawford's impression of European music ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York