Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 91
Página vii
... Identities: Puerto Rican Boleros in New York and Nuyorican Poetry Vanessa Knights Part III: Across the U.S.-Mexico Border Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tee Music 99 Ignacio Corona and Alejandro L. Madrid ...
... Identities: Puerto Rican Boleros in New York and Nuyorican Poetry Vanessa Knights Part III: Across the U.S.-Mexico Border Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tee Music 99 Ignacio Corona and Alejandro L. Madrid ...
Página viii
... Identity Greg Sch elonka Part IV: South-American Connections Chapter 10 Before and After Samba: Modernity, Cosmopolitanism, 173 and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century Cristina Magaldi ...
... Identity Greg Sch elonka Part IV: South-American Connections Chapter 10 Before and After Samba: Modernity, Cosmopolitanism, 173 and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century Cristina Magaldi ...
Página ix
... identity occupies a central position in such a context, there is a discrepancy between the conceptualization of music as an extremely fluid phenomenon (across formal or informal borders) and the traditionally monovalent notion of identity ...
... identity occupies a central position in such a context, there is a discrepancy between the conceptualization of music as an extremely fluid phenomenon (across formal or informal borders) and the traditionally monovalent notion of identity ...
Página 4
... identity. The presence of these communities in the United States and other “developed” nations, and the reality of their everyday life of exploitation and human-rights abuse, not only raise important questions about citizenship but also ...
... identity. The presence of these communities in the United States and other “developed” nations, and the reality of their everyday life of exploitation and human-rights abuse, not only raise important questions about citizenship but also ...
Página 7
... identities within specific social contexts. Furthermore, opening music scholarship to these areas of inquiry allows us to ... identity negotiation that permit citizens of a given nation-State to establish effective transregional and ...
... identities within specific social contexts. Furthermore, opening music scholarship to these areas of inquiry allows us to ... identity negotiation that permit citizens of a given nation-State to establish effective transregional and ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York