Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 37
Página 4
... influence of corporate power and special interests on governmental decisions and democratic practices, the State's neglect of its social obligations in favor of privatization, and the decentralization of capital that pressed Hardt and ...
... influence of corporate power and special interests on governmental decisions and democratic practices, the State's neglect of its social obligations in favor of privatization, and the decentralization of capital that pressed Hardt and ...
Página 6
... influence of the Mexican post-revolutionary nationalist project, are evident in this anecdote. First, a common mistake is to try to isolate music structures and texts from their social and cultural context in an attempt to understand an ...
... influence of the Mexican post-revolutionary nationalist project, are evident in this anecdote. First, a common mistake is to try to isolate music structures and texts from their social and cultural context in an attempt to understand an ...
Página 9
... influenced by global musics, so musicians and producers everywhere have been adapting, mixing, and using modern popular Western ... influence of pop-rock music as one of the enabling elements of such musical homogenization. Mentions of a ...
... influenced by global musics, so musicians and producers everywhere have been adapting, mixing, and using modern popular Western ... influence of pop-rock music as one of the enabling elements of such musical homogenization. Mentions of a ...
Página 12
... influences (Latin music for instance), had long been incorporated into Western popular music.32 The Beatles themselves made occasional use of boleros, Latin instrumentation (e.g., claves and maracas) and rhythms from their earliest ...
... influences (Latin music for instance), had long been incorporated into Western popular music.32 The Beatles themselves made occasional use of boleros, Latin instrumentation (e.g., claves and maracas) and rhythms from their earliest ...
Página 19
... Influences,” Popular Music 17, no. 1 (1998): 45-69, 60. 23. Tony Mitchell, Popular Music and Local Identity: Rock, Pop, and Rap in Europe and Oceania (London: Leicester University Press, 1996), 20. 24. Roger Armstrong, co-director of ...
... Influences,” Popular Music 17, no. 1 (1998): 45-69, 60. 23. Tony Mitchell, Popular Music and Local Identity: Rock, Pop, and Rap in Europe and Oceania (London: Leicester University Press, 1996), 20. 24. Roger Armstrong, co-director of ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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