Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
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Página 13
... industrial societies. Hence, when not openly providing social commentary and literal or allegorical interpretations of contemporary reality, progressive musicians were looking for alternative “worlds.” Some found them in the ancient ...
... industrial societies. Hence, when not openly providing social commentary and literal or allegorical interpretations of contemporary reality, progressive musicians were looking for alternative “worlds.” Some found them in the ancient ...
Página 15
... industry now fully aware of the difficulty of holding the “grand narrative” of a unified development in popular music.43 As for progressive rock's role of explorer of the musics of the world—as part of its critique of the present, it ...
... industry now fully aware of the difficulty of holding the “grand narrative” of a unified development in popular music.43 As for progressive rock's role of explorer of the musics of the world—as part of its critique of the present, it ...
Página 18
... industry does not cancel the dominant view that the Western (and ofien Japanese) listener is in the privileged position of enjoying, like a tourist, the ride to global places. These latest developments not only highlight the relevance ...
... industry does not cancel the dominant view that the Western (and ofien Japanese) listener is in the privileged position of enjoying, like a tourist, the ride to global places. These latest developments not only highlight the relevance ...
Página 20
... industry in general. See John Schaefer, New Sounds. A Listener 's Guide to New Music (New York: Harper & Row, 1987), 194-196. 26. Dick Hebdige, Subculture. The Meaning of Style (London: Methuen, 1979). 27. Ana Maria Ochoa, Musicas ...
... industry in general. See John Schaefer, New Sounds. A Listener 's Guide to New Music (New York: Harper & Row, 1987), 194-196. 26. Dick Hebdige, Subculture. The Meaning of Style (London: Methuen, 1979). 27. Ana Maria Ochoa, Musicas ...
Página 21
... Industry Standard,” New York Times Magazine 10, no. 3 (2004): 5059, 53. 40. The notion of authenticity, as van der Lee reminds us, “is not unrelated to romantic ideas with the 'Noble Savage,' concept very much alive and related to an ...
... Industry Standard,” New York Times Magazine 10, no. 3 (2004): 5059, 53. 40. The notion of authenticity, as van der Lee reminds us, “is not unrelated to romantic ideas with the 'Noble Savage,' concept very much alive and related to an ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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