Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 19
Página 5
... jazz as an example of the thematic approach that would shed light on the true transcultural and transnational character of history.5 For a transnational historian like Seigel, interested in the constant flow of cultural units beyond the ...
... jazz as an example of the thematic approach that would shed light on the true transcultural and transnational character of history.5 For a transnational historian like Seigel, interested in the constant flow of cultural units beyond the ...
Página 11
... jazz, their music is still classified as world music or Mexican or Argentine or Brazilian music instead of simply rock or jazz. The Collapse of the “Grand Narratives” in Popular Music The current postnational marketing of music arguably ...
... jazz, their music is still classified as world music or Mexican or Argentine or Brazilian music instead of simply rock or jazz. The Collapse of the “Grand Narratives” in Popular Music The current postnational marketing of music arguably ...
Página 12
... jazz, and electronic idioms—in its exploration of cultural scenarios, aesthetics, and ideologies. Such an agenda could not be less avant-garde, to the point that in its brief existence it mimicked some of the directions taken by ...
... jazz, and electronic idioms—in its exploration of cultural scenarios, aesthetics, and ideologies. Such an agenda could not be less avant-garde, to the point that in its brief existence it mimicked some of the directions taken by ...
Página 13
... jazz or jazz-fusion groups (i.e., Weather Report, Return to Forever, or Oregon), following the involvement of Stan Getz and other musicians in the dissemination of bossa nova, were even more instrumental in introducing American ...
... jazz or jazz-fusion groups (i.e., Weather Report, Return to Forever, or Oregon), following the involvement of Stan Getz and other musicians in the dissemination of bossa nova, were even more instrumental in introducing American ...
Página 17
... jazz and rock often constitute the new soundtrack for envisaging what the world has to offer to the senses of avid first-World consumers. A mental trip at the lounge does not cancel the possibilities of relaxing while making a foray ...
... jazz and rock often constitute the new soundtrack for envisaging what the world has to offer to the senses of avid first-World consumers. A mental trip at the lounge does not cancel the possibilities of relaxing while making a foray ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York