Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 32
Página 10
... labels as long as they are not very successful, artistically or commercially speaking—because, once an independent label establishes a niche or significantly impacts a regional market it tends to be absorbed by one of those corporations ...
... labels as long as they are not very successful, artistically or commercially speaking—because, once an independent label establishes a niche or significantly impacts a regional market it tends to be absorbed by one of those corporations ...
Página 11
... labels in the marketing of popular music does not necessarily destabilize such a paradigm when applied to the field of contemporary classical music, even if it has progressively incorporated some non-Western European composers into the ...
... labels in the marketing of popular music does not necessarily destabilize such a paradigm when applied to the field of contemporary classical music, even if it has progressively incorporated some non-Western European composers into the ...
Página 12
... labels to the pursuit of musical experimentation. If male-dominated and Europecentered “progressive music” actually operated within a modernist paradigm as we propose, we should briefly focus on its cultural context to inquire about the ...
... labels to the pursuit of musical experimentation. If male-dominated and Europecentered “progressive music” actually operated within a modernist paradigm as we propose, we should briefly focus on its cultural context to inquire about the ...
Página 13
... . Aspiring to capture “authentic” traditional music fiom around the globe, the link with ethnomusicologists or anthropologists was key in the new directions taken by some labels, such as Nonesuch: “In 1966, a The Postnalional Turn 13.
... . Aspiring to capture “authentic” traditional music fiom around the globe, the link with ethnomusicologists or anthropologists was key in the new directions taken by some labels, such as Nonesuch: “In 1966, a The Postnalional Turn 13.
Página 14
... labels, such as Nonesuch: “In 1966, a musicologist named David Lewiston showed up in the company's offices with tapes he'd made of Indonesian gamelan music while in Bali. The jangly, dreamy percussion was a totally new sound on the ...
... labels, such as Nonesuch: “In 1966, a musicologist named David Lewiston showed up in the company's offices with tapes he'd made of Indonesian gamelan music while in Bali. The jangly, dreamy percussion was a totally new sound on the ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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