Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 27
Página 5
... listener are no longer part of the same cultural context, social meaning, performative aspects, and aesthetic values are no longer to be implicitly understood or presumed. An inter or multidisciplinary approach would only allow scholars ...
... listener are no longer part of the same cultural context, social meaning, performative aspects, and aesthetic values are no longer to be implicitly understood or presumed. An inter or multidisciplinary approach would only allow scholars ...
Página 14
... listener, but also a significant maneuvering toward the creation of small and specialized niches, anticipating the “postmodern” fragmentation of the music market."0 The fact that many rock musicians were willing to take new musical ...
... listener, but also a significant maneuvering toward the creation of small and specialized niches, anticipating the “postmodern” fragmentation of the music market."0 The fact that many rock musicians were willing to take new musical ...
Página 16
... listener, and made notions of musical purity in relation to local or ethnic musics impossible to entertain but, despite the blurring of boundaries involved, produced a wide range of stimulating and excitingly hybrid sounds.“ For this ...
... listener, and made notions of musical purity in relation to local or ethnic musics impossible to entertain but, despite the blurring of boundaries involved, produced a wide range of stimulating and excitingly hybrid sounds.“ For this ...
Página 18
... listener is in the privileged position of enjoying, like a tourist, the ride to global places. These latest developments not only highlight the relevance of the postnational, but also provide evidence about the fetishization of ...
... listener is in the privileged position of enjoying, like a tourist, the ride to global places. These latest developments not only highlight the relevance of the postnational, but also provide evidence about the fetishization of ...
Página 20
... Listener 's Guide to New Music (New York: Harper & Row, 1987), 194-196. 26. Dick Hebdige, Subculture. The Meaning of Style (London: Methuen, 1979). 27. Ana Maria Ochoa, Musicas locales en tiempos de globalizacién (Buenos Aires ...
... Listener 's Guide to New Music (New York: Harper & Row, 1987), 194-196. 26. Dick Hebdige, Subculture. The Meaning of Style (London: Methuen, 1979). 27. Ana Maria Ochoa, Musicas locales en tiempos de globalizacién (Buenos Aires ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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