Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
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Resultados 1-5 de 40
Página 12
... movement of the late 1960s and 1970s. Originally based in England, it offered a more ambitious musical response to the psychedelic, hippie, and counterculture movements in the U.S. attracting numerous followers in Western Europe as ...
... movement of the late 1960s and 1970s. Originally based in England, it offered a more ambitious musical response to the psychedelic, hippie, and counterculture movements in the U.S. attracting numerous followers in Western Europe as ...
Página 13
... movement became, to this day, the major catalyst of musical and cultural exploration in popular music. For Western audiences, it channeled the attempts to safely explore the “real world” (the peripheries) through the incorporation of ...
... movement became, to this day, the major catalyst of musical and cultural exploration in popular music. For Western audiences, it channeled the attempts to safely explore the “real world” (the peripheries) through the incorporation of ...
Página 14
... movement. Soon the label's Explorers series—records covering traditional music from around the globe— was under way ... movement in England and the US. In a way, such hostility from the critical establishment mirrored hostility toward ...
... movement. Soon the label's Explorers series—records covering traditional music from around the globe— was under way ... movement in England and the US. In a way, such hostility from the critical establishment mirrored hostility toward ...
Página 15
... movement. The waning of one label (“progressive music”) implicitly operating within a modern paradigm and the emergence of the other (“world music”) more related to the concept of the postmodern also relate to the end of an era in pop ...
... movement. The waning of one label (“progressive music”) implicitly operating within a modern paradigm and the emergence of the other (“world music”) more related to the concept of the postmodern also relate to the end of an era in pop ...
Página 16
... movement to contemporary South American hip hop (see Christopher Dennis's chapter in this volume). However, in spite of all the critical attention it has gathered, “world music” represents a very small niche in the global music market ...
... movement to contemporary South American hip hop (see Christopher Dennis's chapter in this volume). However, in spite of all the critical attention it has gathered, “world music” represents a very small niche in the global music market ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York