Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 36
Página 10
... musical styles, genres and regional manifestations under the rubric of “ethnic” music, mostly replaced by that of “world” music since the late eighties, represents a strategy that responds to both needs. Nowadays, the term “ethnic” in ...
... musical styles, genres and regional manifestations under the rubric of “ethnic” music, mostly replaced by that of “world” music since the late eighties, represents a strategy that responds to both needs. Nowadays, the term “ethnic” in ...
Página 11
... musical expressions and styles on both sides of the divide, further enriched by the inclusion of non-Western instrumentation and musics along the twentieth century. In the field of popular music, such a paradigm was still operating in ...
... musical expressions and styles on both sides of the divide, further enriched by the inclusion of non-Western instrumentation and musics along the twentieth century. In the field of popular music, such a paradigm was still operating in ...
Página 13
... musical language."35 It mostly signified an open-ended, all embracing musical practice. As Bill Martin claims, “by ... styles and explorations of non-traditional philosophical and metaphysical concepts; and a new popular aesthetic that ...
... musical language."35 It mostly signified an open-ended, all embracing musical practice. As Bill Martin claims, “by ... styles and explorations of non-traditional philosophical and metaphysical concepts; and a new popular aesthetic that ...
Página 14
... musical landscape and from those tapes [Teresa] Sterne made an album, 'Music ... musical and cultural horizons for the metropolitan listener, but also a ... styles and sub-genres, each with its own label, has implied a strategy of ...
... musical landscape and from those tapes [Teresa] Sterne made an album, 'Music ... musical and cultural horizons for the metropolitan listener, but also a ... styles and sub-genres, each with its own label, has implied a strategy of ...
Página 16
... musical genres and styles imported from the modern metropolises often amounts to “cannibalization” of cultural hierarchies, as these serve as the medium for the expression of political resistance and cultural difference, from the ...
... musical genres and styles imported from the modern metropolises often amounts to “cannibalization” of cultural hierarchies, as these serve as the medium for the expression of political resistance and cultural difference, from the ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York