Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 59
Página 16
... sense of familiarity to the Western listener, and made notions of musical purity in relation to local or ethnic musics impossible to entertain but, despite the blurring of boundaries involved, produced a wide range of stimulating and ...
... sense of familiarity to the Western listener, and made notions of musical purity in relation to local or ethnic musics impossible to entertain but, despite the blurring of boundaries involved, produced a wide range of stimulating and ...
Página 17
... senses of avid first-World consumers. A mental trip at the lounge does not cancel the possibilities of relaxing while making a foray into foreign landscapes and exotic worlds (see Denilson Lopes' chapter in this volume). Musically ...
... senses of avid first-World consumers. A mental trip at the lounge does not cancel the possibilities of relaxing while making a foray into foreign landscapes and exotic worlds (see Denilson Lopes' chapter in this volume). Musically ...
Página 22
... sense of the local factory or site of production and in the extended sense of the nation-state) becomes a fetish which disguises the globally dispersed forces that actually drive the production process.” Arjun Appadurai, “Disjuncture ...
... sense of the local factory or site of production and in the extended sense of the nation-state) becomes a fetish which disguises the globally dispersed forces that actually drive the production process.” Arjun Appadurai, “Disjuncture ...
Página 26
... sense of the Pastoral Symphony without assistance.”7 Wagner's reaction to the Symphonie Fantastique was the compositional obverse to Schumann's: “At those times when the German prefers to withdraw from social life in order to explore ...
... sense of the Pastoral Symphony without assistance.”7 Wagner's reaction to the Symphonie Fantastique was the compositional obverse to Schumann's: “At those times when the German prefers to withdraw from social life in order to explore ...
Página 27
... sense of community through the mass media. In Anderson's view, a nation “is imagined because the members of even the smallest nation will never know most of their fellow-members, meet them, or even hear of them, yet in the minds of each ...
... sense of community through the mass media. In Anderson's view, a nation “is imagined because the members of even the smallest nation will never know most of their fellow-members, meet them, or even hear of them, yet in the minds of each ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York