Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 61
Página 6
... song writers in the last thirty years. Surprisingly most of the scholars in the room dismissed him and his music on the grounds that the “music itself” was of bad quality and lacked the harmonic, rhythmic, and improvisatory complexity ...
... song writers in the last thirty years. Surprisingly most of the scholars in the room dismissed him and his music on the grounds that the “music itself” was of bad quality and lacked the harmonic, rhythmic, and improvisatory complexity ...
Página 7
... song in terms of a harmonic, rhythmic, and improvisational complexity that is absent in that song's genre or meaningless to its audience is to impose the scholar's criteria upon it—an obvious exercise of intellectual colonialism. Third ...
... song in terms of a harmonic, rhythmic, and improvisational complexity that is absent in that song's genre or meaningless to its audience is to impose the scholar's criteria upon it—an obvious exercise of intellectual colonialism. Third ...
Página 9
... songs, angry local dialect punk, preserved (for the tourist) traditional dance—are determined by a critique of international entertainment” and adds “no country in the world is unaffected by . . . the twentieth-century mass media (the ...
... songs, angry local dialect punk, preserved (for the tourist) traditional dance—are determined by a critique of international entertainment” and adds “no country in the world is unaffected by . . . the twentieth-century mass media (the ...
Página 35
... songs, anti-Chinese melodies, and wartime Japanese defamations worth discussing—as opposed simply to calling attention to them, the way a court of law records a felon's conviction—more than once, even as socio-cultural relics? Shouldn't ...
... songs, anti-Chinese melodies, and wartime Japanese defamations worth discussing—as opposed simply to calling attention to them, the way a court of law records a felon's conviction—more than once, even as socio-cultural relics? Shouldn't ...
Página 38
... songs that replicate and reaffirm conservative ideologies of cultural consensus and racial univocality. Music in American life is the story of racial and ethnic difference; it is the story of both nation formation and de-formation, the ...
... songs that replicate and reaffirm conservative ideologies of cultural consensus and racial univocality. Music in American life is the story of racial and ethnic difference; it is the story of both nation formation and de-formation, the ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York