Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
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... world music” in today's globalized scenano. The seed for this book was planted on a graduate seminar on semiotic theory at The Ohio State University several years ago, in which the coeditors began a productive conversation that derived ...
... world music” in today's globalized scenano. The seed for this book was planted on a graduate seminar on semiotic theory at The Ohio State University several years ago, in which the coeditors began a productive conversation that derived ...
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... world.“ In developing countries, the incredibly unequal and unjust distribution of wealth, out-of-control unemployment and the importation of “second class” jobs (such as maquiladoras at the U.S.-Mexico border), the near collapse of the ...
... world.“ In developing countries, the incredibly unequal and unjust distribution of wealth, out-of-control unemployment and the importation of “second class” jobs (such as maquiladoras at the U.S.-Mexico border), the near collapse of the ...
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... musical experience—and they change in every context the music is experienced. Furthermore, in a postnationalist world, where composer, artist, and listener are no longer part of the same cultural context, social meaning, performative ...
... musical experience—and they change in every context the music is experienced. Furthermore, in a postnationalist world, where composer, artist, and listener are no longer part of the same cultural context, social meaning, performative ...
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... world music market, and the idea of the postnational. Numerous globalization scholars have called attention to how transnational economic interests make inquiries regarding the viability or obsolescence of national entities relevant.'4 ...
... world music market, and the idea of the postnational. Numerous globalization scholars have called attention to how transnational economic interests make inquiries regarding the viability or obsolescence of national entities relevant.'4 ...
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... music include the stretching, blurring, fragmentation, doubling, and ... music in a complex scenario of hybridization to the point that some music sociologists, such ... world is unaffected by . . . the twentieth-century mass media (the ...
... music include the stretching, blurring, fragmentation, doubling, and ... music in a complex scenario of hybridization to the point that some music sociologists, such ... world is unaffected by . . . the twentieth-century mass media (the ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conflict contemporary context cosmopolitan cultural cumbia dance defined discourses economic electronic essay ethnic ethnomusicology European film find first Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry influence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee nortefia Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reflected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi significant social song Sony sound Spanish specific Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York