A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 159
... Aeschylus and The Oresteia Starting with Aeschylus is logical , especially as only The Oresteia as a connected trilogy offers the opportunity to consider the full dramatic shape . Agamemnon opens , as does Hamlet , at a human level with ...
... Aeschylus and The Oresteia Starting with Aeschylus is logical , especially as only The Oresteia as a connected trilogy offers the opportunity to consider the full dramatic shape . Agamemnon opens , as does Hamlet , at a human level with ...
Página 221
... Aeschylus ' theatre over Euripides ' been self - evident to Aristophanes ' ancient and modern spectators and readers ... Aeschylus ' plays must have begun before the last decade of the fifth century . The interest by Sophocles ...
... Aeschylus ' theatre over Euripides ' been self - evident to Aristophanes ' ancient and modern spectators and readers ... Aeschylus ' plays must have begun before the last decade of the fifth century . The interest by Sophocles ...
Página 249
... Aeschylus was unknown at the time : Thomson's Agamemnon ( 1738 ) , which was a roaring success in the theatre and was very widely printed , demands knowledge of Aeschylus no less than Seneca in its treatment of the Argive dynastic ...
... Aeschylus was unknown at the time : Thomson's Agamemnon ( 1738 ) , which was a roaring success in the theatre and was very widely printed , demands knowledge of Aeschylus no less than Seneca in its treatment of the Argive dynastic ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words