A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 303
... film has meant ; what it has contributed to Classics and Ancient History , classical reception studies , and the wider humanities ; and what it may achieve in the future . As such , this chapter will not provide detailed investigations ...
... film has meant ; what it has contributed to Classics and Ancient History , classical reception studies , and the wider humanities ; and what it may achieve in the future . As such , this chapter will not provide detailed investigations ...
Página 305
... film . Some may criticize mainstream Hollywood productions such as Gladiator , whilst finding it acceptable to work with European arthouse films such as Jean - Luc Godard's Le Mépris ( 1963 ) , or the adapta- tions of Greek tragedy by ...
... film . Some may criticize mainstream Hollywood productions such as Gladiator , whilst finding it acceptable to work with European arthouse films such as Jean - Luc Godard's Le Mépris ( 1963 ) , or the adapta- tions of Greek tragedy by ...
Página 311
... Classics and film , it ought to be accompanied by interest in - or at least more rigorous ques- tioning of the full extent of the process of reception . Only then can we gain a more rounded picture of how cinematic engagements with ...
... Classics and film , it ought to be accompanied by interest in - or at least more rigorous ques- tioning of the full extent of the process of reception . Only then can we gain a more rounded picture of how cinematic engagements with ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words