A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 226
... Dionysus in 69 , but does the same hold true for the reception of Greek tragedy on the commercial stage or in schools and universities ? How about countries with important theatrical traditions such as Spain . and Greece , which were in ...
... Dionysus in 69 , but does the same hold true for the reception of Greek tragedy on the commercial stage or in schools and universities ? How about countries with important theatrical traditions such as Spain . and Greece , which were in ...
Página 338
... Dionysus at moments in this film . Dil is at home in his / her body and identity , whereas Fergus doesn't know either his body or his identity . Fergus forces Dil to disguise herself , but dis- guising ' her ' is hopeless , and he / she ...
... Dionysus at moments in this film . Dil is at home in his / her body and identity , whereas Fergus doesn't know either his body or his identity . Fergus forces Dil to disguise herself , but dis- guising ' her ' is hopeless , and he / she ...
Página 339
... Dionysus seduced Pentheus in a bed in front of the audience , before dressing him as a woman . In one performance of The Bacchae in German , directed by Theodoros Terzopoulos ( Düsseldorf , 2001 ) , the lower part of the bodies of Dionysus ...
... Dionysus seduced Pentheus in a bed in front of the audience , before dressing him as a woman . In one performance of The Bacchae in German , directed by Theodoros Terzopoulos ( Düsseldorf , 2001 ) , the lower part of the bodies of Dionysus ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words