A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 233
... Euripides ( Glicksohn 1984 : 80 ) . De la Touche's Play and Guillard's Libretto De la Touche's Iphigénie en Tauride conforms strictly to the conventions of French neo - classical tragedy . It is in the standard five Acts , and in ...
... Euripides ( Glicksohn 1984 : 80 ) . De la Touche's Play and Guillard's Libretto De la Touche's Iphigénie en Tauride conforms strictly to the conventions of French neo - classical tragedy . It is in the standard five Acts , and in ...
Página 234
... Euripidean original ( 343ff ) . Euripides ' Iphigeneia believes that her heart has been hardened against strangers ( 350 ) by her own traumatic experience at the hands of the Greek army at Aulis , and the supposed ' death of Orestes ...
... Euripidean original ( 343ff ) . Euripides ' Iphigeneia believes that her heart has been hardened against strangers ( 350 ) by her own traumatic experience at the hands of the Greek army at Aulis , and the supposed ' death of Orestes ...
Página 236
... Euripides ' drama Orestes ( as yet unrecognized ) expressed surprise at Iphigeneia's unpleasant tasks as the servant of the Taurian goddess - ' Will you , a woman , sacrifice men by the sword ? ' She replies that she will simply prepare ...
... Euripides ' drama Orestes ( as yet unrecognized ) expressed surprise at Iphigeneia's unpleasant tasks as the servant of the Taurian goddess - ' Will you , a woman , sacrifice men by the sword ? ' She replies that she will simply prepare ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words