A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 242
... Greece . Strauss first visited Greece in 1892 ; he was impressed by the ' gigantic forces and recklessness of expression ' in the friezes from the temple of Zeus at Olympia ( Adams 1989 : 159 ) . Like Nietzsche , he wanted to contrast ...
... Greece . Strauss first visited Greece in 1892 ; he was impressed by the ' gigantic forces and recklessness of expression ' in the friezes from the temple of Zeus at Olympia ( Adams 1989 : 159 ) . Like Nietzsche , he wanted to contrast ...
Página 365
... Greece to affect , that is , to ' corrupt ' and ' diminish ' the Greeks . Mistriotes contended that these widespread practices ' betrayed ' Greece along with the Greek language and failed to properly educate and enlighten the Greek ...
... Greece to affect , that is , to ' corrupt ' and ' diminish ' the Greeks . Mistriotes contended that these widespread practices ' betrayed ' Greece along with the Greek language and failed to properly educate and enlighten the Greek ...
Página 422
... Greece The montage effect achieved in both Coalescent and Titus , whereby past and pre- sent are superimposed , is taken a step further in Fred Hoyle's October 1st Is Too Late ( 1966 ) , an SF novel predicated on a strange temporal ...
... Greece The montage effect achieved in both Coalescent and Titus , whereby past and pre- sent are superimposed , is taken a step further in Fred Hoyle's October 1st Is Too Late ( 1966 ) , an SF novel predicated on a strange temporal ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words