A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 323
... Ulysses , the offence is the rather crude act of destroying Neptune's temple and smashing his statue . The motive for the act is relayed at the start of the film : in the reference to Neptune in the blurb that precedes the action as the ...
... Ulysses , the offence is the rather crude act of destroying Neptune's temple and smashing his statue . The motive for the act is relayed at the start of the film : in the reference to Neptune in the blurb that precedes the action as the ...
Página 324
... Ulysses as a man ' who dared defy the god and continued his journey to Ithaca ' . The film then shows Ulysses in repeated acts of defiance . In the storm that comes up after he leaves Troy , Ulysses rejects the suggestion of one of the ...
... Ulysses as a man ' who dared defy the god and continued his journey to Ithaca ' . The film then shows Ulysses in repeated acts of defiance . In the storm that comes up after he leaves Troy , Ulysses rejects the suggestion of one of the ...
Página 325
... Ulysses ' acts of destruc- tion as smashing idols and his conduct as disbelief in a false religion . After all , the statue Ulysses smashes is of a heathen god , not of Christ or the Madonna . The 1997 film , where the gods are given ...
... Ulysses ' acts of destruc- tion as smashing idols and his conduct as disbelief in a false religion . After all , the statue Ulysses smashes is of a heathen god , not of Christ or the Madonna . The 1997 film , where the gods are given ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words