A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 65
... antiquity and into Byzantium , a thread whose fragility at certain times and places is frightening to contemplate . Even so , our knowledge of Greek tragedy has been severely limited by the actions of antiquity . The corpus available to ...
... antiquity and into Byzantium , a thread whose fragility at certain times and places is frightening to contemplate . Even so , our knowledge of Greek tragedy has been severely limited by the actions of antiquity . The corpus available to ...
Página 312
... antiquity ( with the exception perhaps of computer games ) occurs in a medium which existed in at least a broadly similar way in antiquity too , whereas cinema is a product only of the last century or so . When studying cinematic ...
... antiquity ( with the exception perhaps of computer games ) occurs in a medium which existed in at least a broadly similar way in antiquity too , whereas cinema is a product only of the last century or so . When studying cinematic ...
Página 472
... antiquity . And once this fact emerges , it becomes evident ( though it is really no secret ) that antiquity never really ceased to be received in antiquity . The past as we know it was at no time clear - cut , but was always only ...
... antiquity . And once this fact emerges , it becomes evident ( though it is really no secret ) that antiquity never really ceased to be received in antiquity . The past as we know it was at no time clear - cut , but was always only ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words