A Companion to Classical ReceptionsProfessor Emeritus of Classical Studies Lorna Hardwick, Lorna Hardwick, Christopher Stray Wiley, 2008 - 538 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 43
When Agathon is forced to say that ' It would appear , Socrates , that I knew
nothing about what I said then ' ( i . e . when making his speech ) ( 2016 ) , this
admission is revealing not only of the poet ' s character , but also , perhaps , how
he ...
When Agathon is forced to say that ' It would appear , Socrates , that I knew
nothing about what I said then ' ( i . e . when making his speech ) ( 2016 ) , this
admission is revealing not only of the poet ' s character , but also , perhaps , how
he ...
Página 234
In his Eumenides ( 95ff , 244ff ) Aischylos had made the Furies appear in person ,
urged on by Klytaimnestra , and pursue Orestes . This scene made a legendary
impact in the Athenian theatre ; late sources allege that children fainted , and ...
In his Eumenides ( 95ff , 244ff ) Aischylos had made the Furies appear in person ,
urged on by Klytaimnestra , and pursue Orestes . This scene made a legendary
impact in the Athenian theatre ; late sources allege that children fainted , and ...
Página 235
ending is bad because the Furies only appear to Oreste in a dream and in his
imagination ; this destroys the idea that he believes he is seeing his mother ,
when he sees Iphigénie . He must still be preoccupied with his dream , when he
says ...
ending is bad because the Furies only appear to Oreste in a dream and in his
imagination ; this destroys the idea that he believes he is seeing his mother ,
when he sees Iphigénie . He must still be preoccupied with his dream , when he
says ...
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Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 26 secciones no mostradas
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Términos y frases comunes
Aeschylus ancient antiquity appear Arab Aristophanes audience become beginning body called century chapter character claims classical concept contemporary context continued critical cultural death debate developed discussion drama early English epic example experience fact figure film further give gods Greece Greek Greek tragedy hand hero Homer human humour idea Iliad important interest interpretation issues Italy kind knowledge language later literary literature live look meaning moral myth nature Odysseus Oedipus offers original particular past performance period Persian play poem poetic poetry poets political present production question reception reference reflects relationship rhetoric role Roman Rome scholars sense society sources stage story studies suggests theatre theory tion tradition tragedy translation turn understanding University writing