A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 257
... become . Mounet - Sully's Everyman , who battles nobly but vainly against an unjust world has himself now become the prime cause of social injustice . Foucault's critique gains even greater force and prominence in L'Anti - Oedipe of ...
... become . Mounet - Sully's Everyman , who battles nobly but vainly against an unjust world has himself now become the prime cause of social injustice . Foucault's critique gains even greater force and prominence in L'Anti - Oedipe of ...
Página 284
... become a mouth , hence allowing us to see , on its bottom , the vocal chords of the same theatre , so that we are enabled to reach a literality which becomes vertigo . As a matter of fact , the image seen by the spec- tator leads to the ...
... become a mouth , hence allowing us to see , on its bottom , the vocal chords of the same theatre , so that we are enabled to reach a literality which becomes vertigo . As a matter of fact , the image seen by the spec- tator leads to the ...
Página 286
... become invisible again . In order to create a universal language that aims at restoring fundamental emotional answers , Castellucci restricts himself to a number of basic and recurring characters and themes that illustrate a limited num ...
... become invisible again . In order to create a universal language that aims at restoring fundamental emotional answers , Castellucci restricts himself to a number of basic and recurring characters and themes that illustrate a limited num ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words