A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 121
... beginning of the new American Æra , which commences from that date . ' Both Latin mottoes are Virgilian : annuit coeptis , ' [ God ] approved our enterprise ' , seems to derive from a prayer to Jupiter in the Aeneid ( 9.625 adnue ...
... beginning of the new American Æra , which commences from that date . ' Both Latin mottoes are Virgilian : annuit coeptis , ' [ God ] approved our enterprise ' , seems to derive from a prayer to Jupiter in the Aeneid ( 9.625 adnue ...
Página 123
... beginning . Help me to please my hedge - schoolmaster Virgil And the child that's due . Maybe , heavens , sing Better times for her and her generation . Virgil's Sicilian Muses ( an allusion to his Greek model Theocritus ) are here ...
... beginning . Help me to please my hedge - schoolmaster Virgil And the child that's due . Maybe , heavens , sing Better times for her and her generation . Virgil's Sicilian Muses ( an allusion to his Greek model Theocritus ) are here ...
Página 225
... beginnings can find themselves immersed in wider cultural and political conflicts . Should the origins of Greek tragedy on the modern Greek stage be sought at the beginning of the twentieth century , when the first systematic attempts ...
... beginnings can find themselves immersed in wider cultural and political conflicts . Should the origins of Greek tragedy on the modern Greek stage be sought at the beginning of the twentieth century , when the first systematic attempts ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words