A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 265
... body . As Wiles concludes , in Hall's productions the text drives and the masked body has to follow where it is taken . There is no Platonic equipoise of mind and body , poetry and gymnastics here : the func- tion of the mask is rather ...
... body . As Wiles concludes , in Hall's productions the text drives and the masked body has to follow where it is taken . There is no Platonic equipoise of mind and body , poetry and gymnastics here : the func- tion of the mask is rather ...
Página 269
... body / mind state of being , a state of kenosis ( total emptiness ) . He compares this state of being to the state ... body , text and sound into an organic whole . The Comic Mask and Grotesque Body In masked productions of tragedy the ...
... body / mind state of being , a state of kenosis ( total emptiness ) . He compares this state of being to the state ... body , text and sound into an organic whole . The Comic Mask and Grotesque Body In masked productions of tragedy the ...
Página 273
... body and instrument for serving the text provides room , more than any other per- formance object , for the exploration and realization of such possibilities . NOTE Special thanks to my mother Athena Varakis for providing the drawings ...
... body and instrument for serving the text provides room , more than any other per- formance object , for the exploration and realization of such possibilities . NOTE Special thanks to my mother Athena Varakis for providing the drawings ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words