A Companion to Classical ReceptionsProfessor Emeritus of Classical Studies Lorna Hardwick, Lorna Hardwick, Christopher Stray Wiley, 2008 - 538 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 265
As Wiles concludes , in Hall ' s productions the text drives and the masked body
has to follow where it is taken . There is no Platonic equipoise of mind and body ,
poetry and gymnastics here : the function of the mask is rather to obliterate body ...
As Wiles concludes , in Hall ' s productions the text drives and the masked body
has to follow where it is taken . There is no Platonic equipoise of mind and body ,
poetry and gymnastics here : the function of the mask is rather to obliterate body ...
Página 269
style and meaning and for this reason energize the body and mind in a different
manner . In Vovolis ' s work the unresolved tension , which is experienced in
Koun ' s productions between the ' alienating and political conception of the mask
...
style and meaning and for this reason energize the body and mind in a different
manner . In Vovolis ' s work the unresolved tension , which is experienced in
Koun ' s productions between the ' alienating and political conception of the mask
...
Página 442
Classicist William Henry Fox Talbot ( 1800 - 1877 ) experimented with artworks
found in his collection of plaster casts , initiating the photographic tradition of
classicizing bodies – of plaster , stone , and flesh . In 1839 Talbot invented one of
the ...
Classicist William Henry Fox Talbot ( 1800 - 1877 ) experimented with artworks
found in his collection of plaster casts , initiating the photographic tradition of
classicizing bodies – of plaster , stone , and flesh . In 1839 Talbot invented one of
the ...
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Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Aeschylus ancient antiquity appear Arab Aristophanes audience become beginning body called century chapter character claims classical concept contemporary context continued critical cultural death debate developed discussion drama early English epic example experience fact figure film further give gods Greece Greek Greek tragedy hand hero Homer human humour idea Iliad important interest interpretation issues Italy kind knowledge language later literary literature live look meaning moral myth nature Odysseus Oedipus offers original particular past performance period Persian play poem poetic poetry poets political present production question reception reference reflects relationship rhetoric role Roman Rome scholars sense society sources stage story studies suggests theatre theory tion tradition tragedy translation turn understanding University writing