A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 171
... called ' verbal humour ' ) and one the other hand in re ( generally called ' referential humour ' : for other trans- lations of these terms , see Attardo 1994 : 27 ) . In his De Oratore Cicero discusses the rephrasing of humour in the ...
... called ' verbal humour ' ) and one the other hand in re ( generally called ' referential humour ' : for other trans- lations of these terms , see Attardo 1994 : 27 ) . In his De Oratore Cicero discusses the rephrasing of humour in the ...
Página 387
... called out ' or ' summoned ' together . It could be the men in a meeting , or in an army , or the ships in a fleet . The word has always been associated with Servius Tullius , the sixth of the legendary kings of early Rome , who was ...
... called out ' or ' summoned ' together . It could be the men in a meeting , or in an army , or the ships in a fleet . The word has always been associated with Servius Tullius , the sixth of the legendary kings of early Rome , who was ...
Página 469
... called ) simply cannot exist without its being received is to live in the protective vacuum of an illusion - the illusion that classical studies and their objects are timeless and eternal , invulnerable to the impingements of history ...
... called ) simply cannot exist without its being received is to live in the protective vacuum of an illusion - the illusion that classical studies and their objects are timeless and eternal , invulnerable to the impingements of history ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words