A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página 83
... canonical changed again in the first few decades of the twentieth century , as new kinds of students entered American colleges and universities in unprecedented numbers . Many were the children of Catholic and Jewish immigrants from ...
... canonical changed again in the first few decades of the twentieth century , as new kinds of students entered American colleges and universities in unprecedented numbers . Many were the children of Catholic and Jewish immigrants from ...
Página 84
... canonical great books are ' timeless ' ( or ' timeless classics ' ) , but in fact each work was written in particular historical circumstances , and the varying institutional versions of the canonical list are themselves historical ...
... canonical great books are ' timeless ' ( or ' timeless classics ' ) , but in fact each work was written in particular historical circumstances , and the varying institutional versions of the canonical list are themselves historical ...
Página 223
... canonical plays can be threatened by their canonicity even when the defence of the canon rests on this value ( Guillory 1995 : 236 ) . What lessons in gender or intergenerational relationships did productions of Sophocles ' Electra or ...
... canonical plays can be threatened by their canonicity even when the defence of the canon rests on this value ( Guillory 1995 : 236 ) . What lessons in gender or intergenerational relationships did productions of Sophocles ' Electra or ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words