A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 42
... claiming to ' know about ' morality ? Where does this leave the poet's traditional claim to be the teacher of his fellow citizens ? In eagerly embracing one alternative - to be thought inspired - Ion shuns the other , the need for ...
... claiming to ' know about ' morality ? Where does this leave the poet's traditional claim to be the teacher of his fellow citizens ? In eagerly embracing one alternative - to be thought inspired - Ion shuns the other , the need for ...
Página 62
... claim to a superior civilization ( if we can use such an anachronistic gloss for the Greek - barbarian polarity ) . What Herodotus claims of the Persians , that they considered themselves the most virtuous , their neighbours the next ...
... claim to a superior civilization ( if we can use such an anachronistic gloss for the Greek - barbarian polarity ) . What Herodotus claims of the Persians , that they considered themselves the most virtuous , their neighbours the next ...
Página 101
... claimed by the colonizing powers , Greek and Latin were as much the property of pupils in the Caribbean as they were of ... claims to antiquity and civilization that surpassed those of the colonial metropolis . Another dimension of the ...
... claimed by the colonizing powers , Greek and Latin were as much the property of pupils in the Caribbean as they were of ... claims to antiquity and civilization that surpassed those of the colonial metropolis . Another dimension of the ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words