A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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... classical receptions . A Companion to the Classical Tradition ( Kallendorf 2007 ) contains sections on the classical tradition in different historical and artistic periods from the middle ages to Modernism , as well as area studies of ...
... classical receptions . A Companion to the Classical Tradition ( Kallendorf 2007 ) contains sections on the classical tradition in different historical and artistic periods from the middle ages to Modernism , as well as area studies of ...
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... classical , and baroque to describe the art of fifth- and fourth - century Athens , Hellenistic Greece , and republican and Augustan Rome , which gave rise to the use of these terms and others like classicism and neo- classicism in ...
... classical , and baroque to describe the art of fifth- and fourth - century Athens , Hellenistic Greece , and republican and Augustan Rome , which gave rise to the use of these terms and others like classicism and neo- classicism in ...
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... classical past . Like Aristotelian theoria , we are left to contemplate the classical past and its beauty . But this contemplation must be modified by the self - knowledge inspired by the Delphic injunction : we must know ourselves in ...
... classical past . Like Aristotelian theoria , we are left to contemplate the classical past and its beauty . But this contemplation must be modified by the self - knowledge inspired by the Delphic injunction : we must know ourselves in ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words