A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 146
... concept is the key to understanding Homeric epics and Greek tragedies ( Etman 2004b : 281-99 ) . However , this concept cannot be transferred precisely to Arab Muslim mentality . Even in pre - Islamic times , as far as it is known ...
... concept is the key to understanding Homeric epics and Greek tragedies ( Etman 2004b : 281-99 ) . However , this concept cannot be transferred precisely to Arab Muslim mentality . Even in pre - Islamic times , as far as it is known ...
Página 228
... concepts of the canon and canon for- mation and the debates in literary criticism between enabling and authoritarian ... concept of the ' classic ' , see the influential studies by Kermode 1983 and 1988 , and the col- lection of essays ...
... concepts of the canon and canon for- mation and the debates in literary criticism between enabling and authoritarian ... concept of the ' classic ' , see the influential studies by Kermode 1983 and 1988 , and the col- lection of essays ...
Página 433
... concept in moral philosophy , it brings in all of these others as part and parcel of it , the kind of modern virtue ethics that I do which is the neo - Aristotelian was born . sort - - Modern virtue ethics - the ethical theory that ...
... concept in moral philosophy , it brings in all of these others as part and parcel of it , the kind of modern virtue ethics that I do which is the neo - Aristotelian was born . sort - - Modern virtue ethics - the ethical theory that ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words