A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 1
... cultural identity . By ' receptions ' we mean the ways in which Greek and Roman material has been transmitted ... cultural diversity of the ancient Mediterranean context ( Davies 2002 ; Morris 1992 ; West 1997 ) . The Romans not only ...
... cultural identity . By ' receptions ' we mean the ways in which Greek and Roman material has been transmitted ... cultural diversity of the ancient Mediterranean context ( Davies 2002 ; Morris 1992 ; West 1997 ) . The Romans not only ...
Página 175
... cultures is also determinative of the translation produced ( especially since it is at the level of the everyday that humour often operates ) . Whilst a situation is imaginable where the cultural knowledge of the putative audiences of ...
... cultures is also determinative of the translation produced ( especially since it is at the level of the everyday that humour often operates ) . Whilst a situation is imaginable where the cultural knowledge of the putative audiences of ...
Página 223
... cultural heritage . In fact the value of canonical plays can be threatened by their canonicity even when the defence of the canon rests on this value ( Guillory 1995 : 236 ) . What lessons in gender or intergenerational relationships ...
... cultural heritage . In fact the value of canonical plays can be threatened by their canonicity even when the defence of the canon rests on this value ( Guillory 1995 : 236 ) . What lessons in gender or intergenerational relationships ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words