A Companion to Classical ReceptionsProfessor Emeritus of Classical Studies Lorna Hardwick, Lorna Hardwick, Christopher Stray Wiley, 2008 - 538 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 136
And Pope ' s replacement of Homer ' s kéres thanatoio muriai ( “ countless spirits
of death ” ) , ' which no mortal may escape or avoid ' , with ' ignoble Age ' , '
Disease ' and ' Death ' , can be seen not merely as the sonorous expression of a
...
And Pope ' s replacement of Homer ' s kéres thanatoio muriai ( “ countless spirits
of death ” ) , ' which no mortal may escape or avoid ' , with ' ignoble Age ' , '
Disease ' and ' Death ' , can be seen not merely as the sonorous expression of a
...
Página 137
The Day shall come ( which nothing can avert ) When by the Spear , the Arrow ,
or the Dart , By Night , or Day , by Force or by Design , Impending Death and
certain Fate are mine . Die then ! ( The Iliad of Homer , 21 . 111 - 25 ; Pope 1939 -
69 ...
The Day shall come ( which nothing can avert ) When by the Spear , the Arrow ,
or the Dart , By Night , or Day , by Force or by Design , Impending Death and
certain Fate are mine . Die then ! ( The Iliad of Homer , 21 . 111 - 25 ; Pope 1939 -
69 ...
Página 192
In Damocles ' case , these dilemmas , the anguish of being indebted to someone
unknown , lead to his death , as his dying words attest , ' I hope at least that my
dying has not deprived him , the one who gave me something ' ( 333 ) .
In Damocles ' case , these dilemmas , the anguish of being indebted to someone
unknown , lead to his death , as his dying words attest , ' I hope at least that my
dying has not deprived him , the one who gave me something ' ( 333 ) .
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Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Aeschylus ancient antiquity appear Arab Aristophanes audience become beginning body called century chapter character claims classical concept contemporary context continued critical cultural death debate developed discussion drama early English epic example experience fact figure film further give gods Greece Greek Greek tragedy hand hero Homer human humour idea Iliad important interest interpretation issues Italy kind knowledge language later literary literature live look meaning moral myth nature Odysseus Oedipus offers original particular past performance period Persian play poem poetic poetry poets political present production question reception reference reflects relationship rhetoric role Roman Rome scholars sense society sources stage story studies suggests theatre theory tion tradition tragedy translation turn understanding University writing