A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 136
... death ' ) , ' which no mortal may escape or avoid ' , with ' ignoble Age ' , ' Disease ' and ' Death ' , can be seen not merely as the sonorous expression of a melancholy of the kind later associated with Tennyson or Housman , but as a ...
... death ' ) , ' which no mortal may escape or avoid ' , with ' ignoble Age ' , ' Disease ' and ' Death ' , can be seen not merely as the sonorous expression of a melancholy of the kind later associated with Tennyson or Housman , but as a ...
Página 137
... Death and certain Fate are mine . Die then ! ( The Iliad of Homer , 21. 111-25 ; Pope 1939-69 : 8. 426 ) Jan Parker notes Pope's failure to translate Homer's nêpie ( ' you poor fool ' ) , and argues that he renders Homer's philos ...
... Death and certain Fate are mine . Die then ! ( The Iliad of Homer , 21. 111-25 ; Pope 1939-69 : 8. 426 ) Jan Parker notes Pope's failure to translate Homer's nêpie ( ' you poor fool ' ) , and argues that he renders Homer's philos ...
Página 192
... death of Damocles that Prometheus found the secret of laughing ( 339-40 ) . Prometheus's knowledge of laughter no doubt owes less to the death of Damocles than his own decision after that death to kill his eagle ; the récit concludes ...
... death of Damocles that Prometheus found the secret of laughing ( 339-40 ) . Prometheus's knowledge of laughter no doubt owes less to the death of Damocles than his own decision after that death to kill his eagle ; the récit concludes ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words