A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 54
... developed in any detail . At the same time , moreover , one popular historian can be found insisting that Persia ... develop the thesis of Persian influence on Greek art and music ( Arnold 1877 : 331-2 ; Benjamin 1887 : 336–7 ; Rawlinson ...
... developed in any detail . At the same time , moreover , one popular historian can be found insisting that Persia ... develop the thesis of Persian influence on Greek art and music ( Arnold 1877 : 331-2 ; Benjamin 1887 : 336–7 ; Rawlinson ...
Página 374
... developed . Productions became more experimental and local elements were often introduced . In the 1970s the alternative theatre became more radical and increasingly sought to confront the political realities of South African society ...
... developed . Productions became more experimental and local elements were often introduced . In the 1970s the alternative theatre became more radical and increasingly sought to confront the political realities of South African society ...
Página 391
... developed amongst social historians over the last three decades . The contribution of such influential organizations as ( in Britain ) the Society for the Diffusion of Useful Knowledge has begun to be appreciated ( Webb 1971 : 66-7 ...
... developed amongst social historians over the last three decades . The contribution of such influential organizations as ( in Britain ) the Society for the Diffusion of Useful Knowledge has begun to be appreciated ( Webb 1971 : 66-7 ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words