A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página 7
... discussion of post - dramatic reworking of ancient tragedy in avant - garde performances that also bears on the discussion of physicality in Verakis ' chapter . Finally , Nurit Yaari combines personal experience and academic analysis in ...
... discussion of post - dramatic reworking of ancient tragedy in avant - garde performances that also bears on the discussion of physicality in Verakis ' chapter . Finally , Nurit Yaari combines personal experience and academic analysis in ...
Página 8
... discussion of cross - cultural performances in South Africa draws on the most recent research on the astonishing impact of translations and adaptations of clas- sical drama , not only in the struggle against apartheid but also in the ...
... discussion of cross - cultural performances in South Africa draws on the most recent research on the astonishing impact of translations and adaptations of clas- sical drama , not only in the struggle against apartheid but also in the ...
Página 252
... discussion of other lesser known anecdotes from late antiquity , which suggest that Sophocles ' play itself continued to enjoy a theatrical life beyond the fifth century . The discussion of the early modern period would open with the ...
... discussion of other lesser known anecdotes from late antiquity , which suggest that Sophocles ' play itself continued to enjoy a theatrical life beyond the fifth century . The discussion of the early modern period would open with the ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words