A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 197
... example , Doherty 1995 ) ; others considered the attitude and perception of the contemporary reader to hold the key to whether the Odyssey should be judged as either a feminist or a failed feminist text ( see , for example , Felson ...
... example , Doherty 1995 ) ; others considered the attitude and perception of the contemporary reader to hold the key to whether the Odyssey should be judged as either a feminist or a failed feminist text ( see , for example , Felson ...
Página 243
... ( example 18.1 ) . - Strauss framed his opera , and gave it an overall shape , by returning in the final minutes to ... ( example 18.2 ) . Example 18.2 Elektra = 58 Noch langsamer . ancor piø lento ( with her eyes fixed on the ground ) A ...
... ( example 18.1 ) . - Strauss framed his opera , and gave it an overall shape , by returning in the final minutes to ... ( example 18.2 ) . Example 18.2 Elektra = 58 Noch langsamer . ancor piø lento ( with her eyes fixed on the ground ) A ...
Página 244
... ( example 18.4 ) . Later , it will return and be developed when she recognizes Orest . This melody expresses all the longing for Agamemnon , which she will then project onto her brother . Example 18.4 Langsam . Metr . = 60 un poco lento ...
... ( example 18.4 ) . Later , it will return and be developed when she recognizes Orest . This melody expresses all the longing for Agamemnon , which she will then project onto her brother . Example 18.4 Langsam . Metr . = 60 un poco lento ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words