A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 269
... experience when delivering a type of vocalization observed in tragedy and tragic lament . During this active process of vocalization , the face radiates the maximum measure of life , through its intensity , but at the same time an ...
... experience when delivering a type of vocalization observed in tragedy and tragic lament . During this active process of vocalization , the face radiates the maximum measure of life , through its intensity , but at the same time an ...
Página 278
... experience and at obeying societal conditioning ; it , rather , is a continuous transfor- mation of energy and sensation which is supposed to liberate the body . What Castellucci fancies , is the establishment of a dynamic and non ...
... experience and at obeying societal conditioning ; it , rather , is a continuous transfor- mation of energy and sensation which is supposed to liberate the body . What Castellucci fancies , is the establishment of a dynamic and non ...
Página 453
... experiences of war , and indeed war itself . As Bergonzi has pointed out , critics have shown a marked tendency to ... experience war's full horrors . The implication is that , had Brooke only lived to fight at Gallipoli instead of ...
... experiences of war , and indeed war itself . As Bergonzi has pointed out , critics have shown a marked tendency to ... experience war's full horrors . The implication is that , had Brooke only lived to fight at Gallipoli instead of ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words