A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 16
... fact that Weckherlin spent time in England , have suggested to some scholars the dependency of one version on the other . Weckherlin may have drawn on Cowley , or Cowley on Weckherlin , alongside whatever other sources they used ( Zeman ...
... fact that Weckherlin spent time in England , have suggested to some scholars the dependency of one version on the other . Weckherlin may have drawn on Cowley , or Cowley on Weckherlin , alongside whatever other sources they used ( Zeman ...
Página 210
... fact , in the face of the imagined objection that it is possible for buildings of a city , and ' even ' elements in the mind , to be destroyed , he nuances his position : ' We can only hold fast to the fact that it is rather the rule ...
... fact , in the face of the imagined objection that it is possible for buildings of a city , and ' even ' elements in the mind , to be destroyed , he nuances his position : ' We can only hold fast to the fact that it is rather the rule ...
Página 312
... fact that a very modern form of media is engaging with such ancient material is surely part of the fascination , and ought to provide more food for thought in terms of the implications of reception across different media , as well as ...
... fact that a very modern form of media is engaging with such ancient material is surely part of the fascination , and ought to provide more food for thought in terms of the implications of reception across different media , as well as ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words