A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 267
... figure 20.2 ) . The ceremonial sense was not , however , associated with strict formality . In Koun's view ... Figure 20.2 Drawing inspired by Karolos Koun's masked Oresteia in 1982 Figure 20.3 The masked figures of Socrates and ...
... figure 20.2 ) . The ceremonial sense was not , however , associated with strict formality . In Koun's view ... Figure 20.2 Drawing inspired by Karolos Koun's masked Oresteia in 1982 Figure 20.3 The masked figures of Socrates and ...
Página 351
... figure 26.2 ) . The vast , brilliant white construction , begun in 1885 , was built in the interna- tional Beaux ... figure of Dea Roma suggested. Figure 26.2 Victor Emmanuel Monument . Alinari Archive , Florence Figure 26.3 Objects found ...
... figure 26.2 ) . The vast , brilliant white construction , begun in 1885 , was built in the interna- tional Beaux ... figure of Dea Roma suggested. Figure 26.2 Victor Emmanuel Monument . Alinari Archive , Florence Figure 26.3 Objects found ...
Página 352
... ( figure 26.3 documents some of the finds which came to light during construction ) . Only in the late. Figure 26.3 Objects found during construction , 1874. Photo John Henry Parker . American Academy in Rome , Parker Collection Figure ...
... ( figure 26.3 documents some of the finds which came to light during construction ) . Only in the late. Figure 26.3 Objects found during construction , 1874. Photo John Henry Parker . American Academy in Rome , Parker Collection Figure ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words