A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 304
... film must acknowledge the role it plays in a pedagogical context . The discussion here will be brief , deferring to Marianne McDonald's contribution to this section for a useful insight into film as a ' teaching tool ' ( see also ...
... film must acknowledge the role it plays in a pedagogical context . The discussion here will be brief , deferring to Marianne McDonald's contribution to this section for a useful insight into film as a ' teaching tool ' ( see also ...
Página 305
... films could be revealed as simple intel- lectual snobbery , and so themselves devalued . Finally , film's popularity must also make us question the dangerous assumption that the scholarly community enjoys a kind of ' ownership ' of the ...
... films could be revealed as simple intel- lectual snobbery , and so themselves devalued . Finally , film's popularity must also make us question the dangerous assumption that the scholarly community enjoys a kind of ' ownership ' of the ...
Página 311
... film , it ought to be accompanied by interest in - or at least more rigorous ques- tioning of the full extent of the process of ... film , which through its seductive spectacularization Working with Film : Theories and Methodologies 311.
... film , it ought to be accompanied by interest in - or at least more rigorous ques- tioning of the full extent of the process of ... film , which through its seductive spectacularization Working with Film : Theories and Methodologies 311.
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words