A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 322
... gods , even without intent or ill will , and how important it is to retain the gods ' favour . The epic reinforces the latter point by emphasizing the gods ' role in bringing Odysseus back to Ithaca . At the end of the Olympian congress ...
... gods , even without intent or ill will , and how important it is to retain the gods ' favour . The epic reinforces the latter point by emphasizing the gods ' role in bringing Odysseus back to Ithaca . At the end of the Olympian congress ...
Página 324
... god that he has noth- ing left and asks what the god wants him to ' understand ' . Having acknowledged his powerlessness , he is ready to hear Poseidon's teaching that ' without gods , man is nothing ' . Before landing in Ithaca on the ...
... god that he has noth- ing left and asks what the god wants him to ' understand ' . Having acknowledged his powerlessness , he is ready to hear Poseidon's teaching that ' without gods , man is nothing ' . Before landing in Ithaca on the ...
Página 325
... gods , the 1955 Ulysses is drawn as a rebel much in the spirit of James Dean , whose performances in East of Eden ( 1955 ) and Rebel Without a Cause ( 1955 ) looked forward to the anti - establishment mood of the 1960s . Yet it is also ...
... gods , the 1955 Ulysses is drawn as a rebel much in the spirit of James Dean , whose performances in East of Eden ( 1955 ) and Rebel Without a Cause ( 1955 ) looked forward to the anti - establishment mood of the 1960s . Yet it is also ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words