A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 94
... human forms ' ( Gladstone 1869 : 232 ) . This feature of Homer's poems was an echo of the idea of the incarnation , the union of the divine with the human , that had been revealed at the dawn of history . Unlike the word that Gladstone ...
... human forms ' ( Gladstone 1869 : 232 ) . This feature of Homer's poems was an echo of the idea of the incarnation , the union of the divine with the human , that had been revealed at the dawn of history . Unlike the word that Gladstone ...
Página 95
... Human beings , though defaced by the fall , have enormous potential for great moral achievements . The stress is now on the capacities , not the deficiencies , of the human race : ' humanity itself " , he goes so far as to say ...
... Human beings , though defaced by the fall , have enormous potential for great moral achievements . The stress is now on the capacities , not the deficiencies , of the human race : ' humanity itself " , he goes so far as to say ...
Página 96
... human . Nothing narrower than human- ity could pretend for a moment justly to represent it ' ( The Times , 25 September 1896 , p . 5 ) . The cluster of ideas surrounding the assertion of the dignity of the human being was near the ...
... human . Nothing narrower than human- ity could pretend for a moment justly to represent it ' ( The Times , 25 September 1896 , p . 5 ) . The cluster of ideas surrounding the assertion of the dignity of the human being was near the ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words