A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 172
... humour provides the beginnings of an explanation for the paradox noted earlier that sometimes humour displays fragility when it comes to translation , sometimes durability . The examples we have been looking at so far have all been ...
... humour provides the beginnings of an explanation for the paradox noted earlier that sometimes humour displays fragility when it comes to translation , sometimes durability . The examples we have been looking at so far have all been ...
Página 173
... humour to the present discussion is that referential humour can survive not only intralingual translation but , all things being equal , interlingual translation , i.e. translation into another language : with no punning connector to ...
... humour to the present discussion is that referential humour can survive not only intralingual translation but , all things being equal , interlingual translation , i.e. translation into another language : with no punning connector to ...
Página 181
... humour in terms of the whole text is one issue which will merit further investigation but what other issues will benefit from investigation ? Doubtless other ... humour , but doubtless there is more Translating ( Aristophanic ) Humour 181.
... humour in terms of the whole text is one issue which will merit further investigation but what other issues will benefit from investigation ? Doubtless other ... humour , but doubtless there is more Translating ( Aristophanic ) Humour 181.
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words