A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 76
... idea ” itself ... The movement of history and the logical process of this notion are supposed to correspond to each other , so that whatever happens , happens according to the logic of one “ idea ” ? ( Arendt 1973 : 469 ) . In the case ...
... idea ” itself ... The movement of history and the logical process of this notion are supposed to correspond to each other , so that whatever happens , happens according to the logic of one “ idea ” ? ( Arendt 1973 : 469 ) . In the case ...
Página 76
... idea " itself . . . The move- ment of history and the logical process of this notion are supposed to correspond to each other , so that whatever happens , happens according to the logic of one " idea " ' ( Arendt 1973 : 469 ) . In the ...
... idea " itself . . . The move- ment of history and the logical process of this notion are supposed to correspond to each other , so that whatever happens , happens according to the logic of one " idea " ' ( Arendt 1973 : 469 ) . In the ...
Página 123
... idea of redemp- tion through new birth and the removal of previous blood - guilt clearly applies in the Poet's ' tongue and province ' . The idea of blood - guilt itself provides a fertile parallel with the Augustan poets ' own analysis ...
... idea of redemp- tion through new birth and the removal of previous blood - guilt clearly applies in the Poet's ' tongue and province ' . The idea of blood - guilt itself provides a fertile parallel with the Augustan poets ' own analysis ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words