A Companion to Classical ReceptionsProfessor Emeritus of Classical Studies Lorna Hardwick, Lorna Hardwick, Christopher Stray Wiley, 2008 - 538 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 3
There are indeed pressing issues to be addressed , not only in academia but
also in the collaborative working relationships between researchers and arts
practitioners ( see further Harrison 2008 ) . There is also an embryonic debate
that ...
There are indeed pressing issues to be addressed , not only in academia but
also in the collaborative working relationships between researchers and arts
practitioners ( see further Harrison 2008 ) . There is also an embryonic debate
that ...
Página 27
The definition of Homer ' s oeuvre and the place of Homer in Greek and Roman
culture have been important issues in modern cultural history : classical philology
was fundamentally shaped by the Homeric Question , that is , a sustained ...
The definition of Homer ' s oeuvre and the place of Homer in Greek and Roman
culture have been important issues in modern cultural history : classical philology
was fundamentally shaped by the Homeric Question , that is , a sustained ...
Página 429
The two theories acquired a vigorous new life in the 1950s and 1960s when , for
the first time for many decades , it become not only permissible , but fashionable
again , for philosophers to write about issues of right and wrong .
The two theories acquired a vigorous new life in the 1950s and 1960s when , for
the first time for many decades , it become not only permissible , but fashionable
again , for philosophers to write about issues of right and wrong .
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Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
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Términos y frases comunes
Aeschylus ancient antiquity appear Arab Aristophanes audience become beginning body called century chapter character claims classical concept contemporary context continued critical cultural death debate developed discussion drama early English epic example experience fact figure film further give gods Greece Greek Greek tragedy hand hero Homer human humour idea Iliad important interest interpretation issues Italy kind knowledge language later literary literature live look meaning moral myth nature Odysseus Oedipus offers original particular past performance period Persian play poem poetic poetry poets political present production question reception reference reflects relationship rhetoric role Roman Rome scholars sense society sources stage story studies suggests theatre theory tion tradition tragedy translation turn understanding University writing