A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 189
... lives and worlds . According to Gide , contemplation is a necessary dynamo in this world , and a rewritten version of ... live so long as he does not know himself ( si se non noverit , 3.346 ) ; for Gide's Narcissus , not knowing oneself ...
... lives and worlds . According to Gide , contemplation is a necessary dynamo in this world , and a rewritten version of ... live so long as he does not know himself ( si se non noverit , 3.346 ) ; for Gide's Narcissus , not knowing oneself ...
Página 193
... live . Cocles represents a less burdensome relationship to the classical past : what he sees from his one remaining eye allows him to continue living in the modern world . The partial vision of Cocles represents a respectful ...
... live . Cocles represents a less burdensome relationship to the classical past : what he sees from his one remaining eye allows him to continue living in the modern world . The partial vision of Cocles represents a respectful ...
Página 272
... live language grounded in contemporary theatrical reality or ritual activities . There is no doubt that perform- ances that use a live language are far more successful in achieving a more fulfilling and emotionally engaging experience ...
... live language grounded in contemporary theatrical reality or ritual activities . There is no doubt that perform- ances that use a live language are far more successful in achieving a more fulfilling and emotionally engaging experience ...
Contenido
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Derechos de autor | |
Otras 29 secciones no mostradas
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Términos y frases comunes
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words